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Conference theme:
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The main theme could be broken down in to four further subtopics that focus on key aspects of the theme that speak most closely to the needs and aspirations of music education in the South Asia region.
- Activating advocacy: engaging with music education policy-making and developing eco-musicological practices, accessibility and EDI for the classroom and beyond
- Navigating the complex relationships between music and STEM
- Future proofing and Sustainability: education in and towards creative global economies and career paths
- Losing the Past in the Present: Locating and translating traditional practices in the digital age
Through the themes of the conference, we shall explore new possibilities in teaching practices, institutional curricula developments, policy making and advocacy goals - which will truly place music in and as education in the diverse spaces that populate South Asia’s schools and institutes of higher education.
Proposals for individual paper presentations (practice and/or research), panel sessions (symposia), workshops, poster displays and multimedia presentations are invited from participants worldwide.
ISME encourages submissions from researchers and practitioners at all career stages including graduate students and early career professionals that align with the conference theme and the needs and aspirations of music education throughout the region.
The conference language is English with Tamil as peripheral language (if the presentation is provided with a translation into English).
Proposals for individual paper presentations (practice and/or research), panel sessions (symposia), workshops, poster displays and multimedia presentations are invited from participants worldwide.
ISME encourages submissions from researchers and practitioners at all career stages including graduate students and early career professionals that align with the conference theme and the needs and aspirations of music education throughout the region.
The conference language is English with Tamil as peripheral language (if the presentation is provided with a translation into English).
PRESENTATION MODES
Individual Paper
Presentations have a duration of maximum 20 Minutes followed by 10 Minutes of Q&A. All the individual proposals will be thematically sorted to the sessions in the final program. The word count of the abstract has to be between 200-250 words.
Panel
A panel session should have 90 minutes duration with three to four papers. Individual abstracts for each paper should be not more than 250 words along with a shared abstract for the panel session not more than 250 of words.
Workshops
A workshop is 60 minutes in duration with 45 minutes allocated to the activity itself. Abstracts should be not more than 250 words.
Film Presentation
A film presentation has to be 20 minutes in length followed by 10 minutes Q&A. Please submit an abstract of 250 words indicating the content of the film.
Presentations have a duration of maximum 20 Minutes followed by 10 Minutes of Q&A. All the individual proposals will be thematically sorted to the sessions in the final program. The word count of the abstract has to be between 200-250 words.
Panel
A panel session should have 90 minutes duration with three to four papers. Individual abstracts for each paper should be not more than 250 words along with a shared abstract for the panel session not more than 250 of words.
Workshops
A workshop is 60 minutes in duration with 45 minutes allocated to the activity itself. Abstracts should be not more than 250 words.
Film Presentation
A film presentation has to be 20 minutes in length followed by 10 minutes Q&A. Please submit an abstract of 250 words indicating the content of the film.
TIMELINE
Submissions Due: 30th June
Responses: End of July
Responses: End of July
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